![]() So that’s a Jenga game you can play, but there’s also a cartoon about it, and the racers for the Angry Birds Go game are used in this toy as well, so there’s a nice connect between what you’re playing on the iPad and otherwise. In India, there’s definitely a market for this here too, and it’s going to be available at retail, both offline and online through Hasbro’s distribution channels.Īside from that, there’s the Angry Birds Go Pirate Jenga. That’s pretty amazing, and the response has been great. With Telepods, which was developed with a lot of collaboration with Hasbro, you can buy a toy, and there’s a pedestal which includes a QR code scanner, and a magnifying lens, and what that does is, you place the toy on the pedestal, and it is available to use in the game. Not just Telepods, but with Angry Birds Go, we’re doing more integration of offline and online. Telepods has been pretty successful in other markets, but do you believe that the market here is sophisticated enough for it? The books, the movies, and the toys, all tie in together and with things like Telepods, we’re taking it to the next level because it integrates real and virtual worlds. ![]() There’s an enormous audience that is watching these cartoons, and there’s a new cartoon every week. ![]() These are snack-sized cartoons that are great for watching on the go, on your mobile phone or tablet, and that makes us one of the biggest video distributors around as well. So anyone, around the world, can go there, and watch cartoons. The apps have been distributed to 1.7 billion people around the world, and, on all those apps, you can go into toon mode, and it’s free for anyone. There have been a lot of cartoons and even a movie coming, how does that connect back to the games? So we will be forming partnerships on that front in India as well. We also have a new global initiative, called Angry Birds Playgrounds, which is an education initiative, which is about the Finnish style of schooling, of learning through play, to make education fun. Angry Birds Seasons takes the captivating gameplay of the original to a whole new level From Halloween to Chinese New Year, the birds are celebrating. Bollywood, and cricket, those are really big in India, so we’ve got to think about ways to incorporate that too. The colours, the festivals, there’s a lot you can do. Diwali also sounds like a perfect fit, we would love to bring something like that, maybe next year. So, for example, and this isn’t the only way to do it, but in China, we saw the local traditions and festivals, and so the Mooncake Festival, and then later the Chinese Year of the Dragon, these were themes we used for levels in Angry Birds Seasons. But it can also mean content, which we can definitely do. It’s simple, fun cartoons that anyone can understand. Localization can mean language, which is not a very big thing because the games themselves use very little language, there’s no game over screen, no long explanations. Each new market is also an opportunity to pick up ideas from the local region, and there are a lot of different kinds of localization we have to do as well.
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Sentience meaning5/8/2023 ![]() And I think that that's going to be a very strong movement," said Kate Darling, an expert in robot ethics at the Massachusetts Institute of Technology's Media Lab. "We are quickly going to get into the realm where people believe that these systems deserve rights, whether or not they're actually internally doing what people think they're doing. Humans have already begun to consider what legal rights AI should have, including whether it deserves personhood rights. Karina Vold, an assistant professor of philosophy at the University of Toronto, hopes the debate over AI consciousness and rights will spark a rethink of how humans treat other species that are known to be conscious. "That was 1965, and here we are in 2022, and it's kind of the same thing," Marcus said. ![]() Simplistic responses like "Tell me more about that" convinced users that they were having a real conversation. Marcus believes Lemoine is the latest in a long line of humans to fall for what computer scientists call "the ELIZA effect," named after a 1960s computer program that chatted in the style of a therapist. "Each person is free to come to their own personal individual understanding of what the word 'person' means and how that word relates to the meaning of terms like 'slavery,'" he wrote in a post on Medium on Wednesday. He insists he was not fooled by a clever robot, as some scientists have suggested. Lemoine maintains his position, and even appeared to suggest that Google had enslaved the AI system. Lemoine, who is also ordained as a mystic Christian priest, told Wired he became convinced of LaMDA's status as a "person" because of its level of self-awareness, the way it spoke about its needs and its fear of death if Google were to delete it. You just think, well, that was exactly the word I was thinking of," said Carl Zimmer, science columnist for the New York Times and author of Life's Edge: The Search for What It Means to Be Alive. "If your phone autocompletes a text, you don't suddenly think that it is aware of itself and what it means to be alive. says LaMDA appears to have fooled a Google engineer into believing it was conscious. ![]() "My view is that was taken in by an illusion," Gary Marcus, a cognitive scientist and author of Rebooting AI, told CBC's Front Burner podcast.Ĭognitive scientist and author Gary Marcus, pictured during a speech in Dublin, Ireland, in 2014. Most experts believe it's unlikely that LaMDA or any other AI is close to consciousness, though they don't rule out the possibility that technology could get there in future. Google dismissed Lemoine's view that LaMDA had become sentient, placing him on paid administrative leave earlier this month - days before his claims were published by The Washington Post. Lemoine had spent months testing Google's chatbot generator, known as LaMDA (short for Language Model for Dialogue Applications), and grew convinced it had taken on a life of its own, as LaMDA talked about its needs, ideas, fears and rights. ![]() Google engineer Blake Lemoine's recent claim that the company's AI technology has become sentient has sparked debate in technology, ethics and philosophy circles over if, or when, AI might come to life - as well as deeper questions about what it means to be alive. Has artificial intelligence finally come to life, or has it simply become smart enough to trick us into believing it has gained consciousness? 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Here are two examples from fifteenth-century manuscripts in the Wollaton Library Collection. In particular, ascenders and descenders are shorter and less exaggerated and the script looks solid and square. It was used for copying books and shows letter forms which are uniform and separate. 'Anglicana Formata' is the most formal of these. Like Textura, Anglicana also developed different varieties. At this date, this script is also characterised by hooks and flourishes. ![]() For instance, a long-tailed 'r' with the descender reaching below the line of writing (as seen in the second word, 'seruant'), and a long 's' which also extends below the writing line (as seen in the word 'ssame' at the end of the second line. One of the most striking differences from Textura is how many letters extend above or below the writing line. This fragment from the South English Legendary, written in the early fourteenth century, is in Anglicana. A variety of Anglicana continued to be used as a legal hand as late as the eighteenth century. The cursive form 'Anglicana' developed in England from Textura to become the most widely-used book hand of the later Middle Ages in Britain and northern France. It first appears in documents in around 1260, and is the script most often used in the fourteenth and fifteenth centuries for the copying of English literary texts (especially the manuscripts of works of Chaucer and Langland). They gradually became used for the speedier and more efficient copying of literary texts too. 207rĬursive scripts were developed for business use such as the copying of documents and letters. An excellent example of the use of Textura as a display script in a high-quality book is provided by the Wollaton Antiphonal, which was probably written in the 1430s.ĭetail from the Wollaton Antiphonal, MS 250, f. In the fourteenth and fifteenth centuries it became increasingly associated with liturgical or devotional manuscripts, or luxury books of a secular nature, as a display script. This is seen more frequently in 'Anglicana' hands.Īfter the thirteenth century Textura was seldom used to copy literary manuscripts containing texts in English. ![]() In the example below, from the mid-thirteenth century, the letter 'g' is formed like the number '8'. This was the least formal type of Textura. The 'rotunda' form of Textura has minims with rounded or curved feet formed through the natural upward movement of the pen nib. The top stroke of the letter 'a' is open, which is not a characteristic of true Textura Quatrata. Note the diamond shapes at the end of the lines and, less clearly, at the foot of letters. The script is very regular and used for good quality books. Quadrata is the 'high-Gothic' variety of Textura, which is characterised by the consistent use of diamond-shaped feet on 'minim' letters made up of vertical strokes (such as i, m, n, u). The example below is a Textura Quadrata hand, written c.1250-1300. ![]() Letter forms are kept separate from one another, and when well spaced give an appearance of formality and neatness. There are various different forms of Textura, usually characterised by the way in which scribes formed the bottom of their letters. It is not a cursive hand, and is instead characterised by an upright appearance, and the use of separate strokes to form letters, which required the frequent raising or lifting of the nib from the writing surface. Sometimes called Gothic Book Hand or Black Letter, this was the most enduring script of the Middle Ages and was in use from the twelfth to the sixteenth century. Many hands are made up of a mixture of characteristics from different styles. They were first developed for the speedy copying of official documents or records, but gradually became used for copying other types of text. Cursive scripts contain letter forms made with as few strokes of the pen as possible. However, the most significant development in script in the English Middle Ages was the evolution of cursive hands which made the process of writing quicker and more efficient. Well-separated letters were their principal characteristic. At the beginning of the medieval period, scribes used 'set' scripts, which were very formal and tidy. The scripts favoured by English scribes evolved and changed over time. |